DOWNLOAD SONY SLOG3 LUT UPGRADE

Otherwise the sensor is extremely clean at the native ISO of 3200. Only if you do something wrong in the grade or with your exposure do you get noisy shadows when shooting S-LOG. The codec grades remarkably well without the usual banding over skies and heavy noise in the shadows.

It is better than Technicolor CineStyle on Canon DSLRs and better than CineLikeD on the GH4.

S-LOG 2 on the A7S is the most effective LOG picture profile that has ever been made available for any DSLR. For the Dynamic and Vivid LUTs you must set the camera colour mode in PP7 to ITU709 Matrix. S-GAMUT is for when shooting S-LOG with the Color Mode of S-GAMUT and compensates for the purple tint to reds I find I am getting in this mode. Dynamic – for best dynamic range, will suit a low contrast shot requiring high dynamic range and plenty of shadow detail. Also good for low light. Vivid will give a punchier look to those shots that benefit from it like a sunset and where some dynamic range can be scarified for higher contrast and saturation. for an instant cinematic look to your A7S S-LOG 2 footage. I am sharing a pack of LUTs for the A7S which can be applied in Premiere, Resolve, etc. Now Sony have put this on a $2500 consumer camera along with the best full frame sensor I have ever used for video. S-LOG made its debut on the Sony F35, a workhorse of Hollywood.

DOWNLOAD SONY SLOG3 LUT UPGRADE

Only a few years ago S-LOG was a $3800 upgrade for the Sony CineAlta F3, itself a $15,000 camera.

Download sony slog3 lut